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Godzilla vs. Mothra

Movie, 1992, Heisei era, Set in Battra

Godzilla vs. Mothra is #19 of 35 in release order and #19 of 35 in chronological order in the Godzilla.

The story

Mothra's dark counterpart, Battra, emerges to eliminate humanity on behalf of the Earth. Two tiny fairies called the Cosmos offer their help by calling Mothra to battle the creature. Unfortunately a meteorite has awoken a hibernating Godzilla as a three way battle for the Earth begins.

Godzilla vs. Mothra recap

A meteorite strike wakes Godzilla and uncovers a giant egg on Infant Island. The adventurer Takuya Fujito, freed from a Thai prison on the condition that he investigates, goes with his ex-wife Masako and Kenji Ando of the Marutomo company. On the island they meet the Cosmos, two tiny priestesses, who explain that 12,000 years ago the Earth sent Battra, a dark moth, to destroy a civilisation that tried to control the climate, and Mothra defeated him. Marutomo ships the egg to Japan for publicity, and Godzilla attacks it at sea. Mothra's larva hatches, Battra arrives and fights Godzilla, and both sink into the sea floor. Marutomo kidnaps the Cosmos, and Mothra crawls to Tokyo to free them, makes her cocoon on the National Diet Building, and emerges as an adult.

Godzilla vs. Mothra ending explained

Mothra and Battra join forces to carry Godzilla out to sea, Godzilla kills Battra, and Mothra drops Godzilla and Battra into the ocean. The Cosmos explain that Battra was meant to stop a giant meteor due in 1999, and Mothra, having lost him, flies into space to take on that job. Before leaving Earth with the Cosmos, she seals Battra's resting place under the sea with a glyph made from her scales.

Post-credits scenes

No. There is no post-credits scene.

Ratings

IMDb 6.2/10, Rotten Tomatoes 78%

Where it fits

What to watch before Godzilla vs. Mothra

In release order, the essentials before Godzilla vs. Mothra (1992) are The Return of Godzilla (1984), Godzilla vs. Biollante (1989), and Godzilla vs. King Ghidorah (1991).

Cast

Directed by Takao Okawara.